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		<title>Scripting News</title>
		<link>http://www.scripting.com/</link>
		<description>Dave Winer&apos;s weblog, started in April 1997, bootstrapped the blogging revolution. </description>
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		<copyright>Copyright 1997-2009 Dave Winer</copyright>
		<pubDate>Sun, 10 May 2009 07:00:00 GMT</pubDate>
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			<title>Rebooting the News #9</title>
			<link>http://www.scripting.com/stories/2009/05/10/rebootingTheNews9.html</link>
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			<comments>http://www.scripting.com/stories/2009/05/10/rebootingTheNews9.html#disqus_thread</comments>
			<description>This week&apos;s &lt;a href=&quot;http://mp3.morningcoffeenotes.com/reboot09May10.mp3&quot;&gt;Rebooting the News podcast&lt;/a&gt; is up.&lt;br&gt;&lt;br&gt;Jay and Dave talk about paying for the news, Ted Nelson as inspiration, &quot;Giant Pool of Money.&quot;&lt;br&gt;&lt;br&gt;As usual, subscribe to this &lt;a href=&quot;http://scripting.com/rss.xml&quot;&gt;feed&lt;/a&gt; in your podcatcher to get all the shows.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Mon, 11 May 2009 02:52:30 GMT</pubDate>
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			<title>Door-slams by MSM journos</title>
			<link>http://www.scripting.com/stories/2009/05/10/doorslamsByMsmJournos.html</link>
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			<comments>http://www.scripting.com/stories/2009/05/10/doorslamsByMsmJournos.html#disqus_thread</comments>
			<description>I&apos;ve gotten lots of angry emails from mainstream journalists about things I&apos;ve written here or on Twitter, esp in the last couple of years, as things have spiraled down in newspaper-land. I understand, somebody&apos;s got to be to blame for what&apos;s happening, and I&apos;m convenient. &lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.scripting.com/stories/2009/02/27/aBillionTwitters.html&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/10/chickenRoosting.gif&quot; width=&quot;115&quot; height=&quot;125&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named chickenRoosting.gif&quot;&gt;&lt;/a&gt;But I&apos;m not the problem -- my writing about this stuff may be a symptom, when viewed from the top of the journalist ladder. If so, then what&apos;s the problem? The same thing that&apos;s happening to all other centralized knowledge-based professions, where there used to be gatekeepers earning a living based on the high cost of distributing information. As the cost has come down, the jobs have disappeared. Journalists are not the first to be hit by this, and as I&apos;ve said many times, my own short-lived profession, developing shrink-wrap software for PCs, was devastated by this a long time ago. I was lucky to have saved some money, and also have shifted what I do, so I&apos;ve continued to make money over the years, even though today no one earns a living the way I did at the beginning of my career. &lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://twitter.com/davewiner/status/1753882696&quot;&gt;Today I said&lt;/a&gt; that journalism needs a cleansing, and I seriously believe it. I&apos;ve been part of the journalism system for my entire career. When I launched products in the 80s, I did it through that system. I did reasonably well at first, because the journos understood my product. It was designed for people like them. Later I developed products that weren&apos;t so easy for a liberal arts major to understand and they didn&apos;t fare as well. But by that time I had the ability to write publicly without going through the journalism system, so even though that door was largely closed, I was still able to get the word out -- and in so doing, defined a new kind of writing which came to be known as blogging.&lt;br&gt;&lt;br&gt;Today&apos;s journalists are already an anachronism, and I think they know it, and that&apos;s why there&apos;s so much anger. For many years they could pretend, like American homeowners, that their value was based on something permanent. I own a home myself, it&apos;s worth a lot less than I paid for it. I&apos;m not happy about that, but as an adult I accept it. The same kind of acceptance is required of everyone who earns a living in journalism. And the higher up the ladder you climbed in your career, the harder that must be to accept. I get it. &lt;br&gt;&lt;br&gt;But I can&apos;t help you avoid the truth. My goal actually is to work with everyone else, who has been subject to the journalism system, even victimized by it. I&apos;ve watched them sell us out over and over to the huge corporations that run the tech business. There&apos;s not much love lost here for the journos. If they did the job they say they do, following the truth where ever it leads, we would have avoided a lot of problems. But they don&apos;t do that. They avoid risks, like most people. They aren&apos;t the swashbuckling and courageous investigators portrayed in the movies. They&apos;re gray, average people who feel &lt;a href=&quot;http://twitter.com/davewiner/status/1755299256&quot;&gt;superior&lt;/a&gt; to the rest of us. And that veneer is disappearing now. &lt;br&gt;&lt;br&gt;When I pushed RSS, my hope was to create a level playing field, so that if journalists wanted to do excellent work and stick their necks out, it could be seen, but not with any advantage over the amateurs, the bloggers, who would have full access to the same distribution system. RSS was a total subversion of the way information used to flow, but only tapped into the power that the Internet gave us, in itself it wasn&apos;t revolutionary -- that came from the inexorable lowering of the cost of publishing and the simplification of the process, and the ease of the tools. All of these things together are what is undermining the journalism business. &lt;br&gt;&lt;br&gt;Some people say I don&apos;t understand the economics of journalism, but I think I do. It&apos;s the &lt;i&gt;old&lt;/i&gt; economics that I don&apos;t understand,. No one can understand that, because it no longer works.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Sun, 10 May 2009 18:40:47 GMT</pubDate>
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			<title>Tweets of the rich and famous</title>
			<link>http://www.scripting.com/stories/2009/05/09/tweetsOfTheRichAndFamous.html</link>
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			<description>After a week of watching the amalgamation of the &lt;a href=&quot;http://100twt.com/&quot;&gt;100 most followed twitterers&lt;/a&gt;, a few observations, and no conclusions.&lt;br&gt;&lt;br&gt;1. I still hope that by amalgamating this group it will change it, make the people with all the followers more aware of how they look to their followers, and may inspire some movement.&lt;br&gt;&lt;br&gt;2. There are a fair number of robot feeds in the top 100, channels that are just pushing links to stories that make money for the owners. Examples: &lt;a href=&quot;http://twitter.com/TIME/&quot;&gt;@time&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/guardiantech/&quot;&gt;@guardiantech&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/nytimes/&quot;&gt;nytimes&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/TechCrunch/&quot;&gt;@techcrunch&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/mashable&quot;&gt;@mashable&lt;/a&gt;.&lt;br&gt;&lt;br&gt;3. The cutest of the top 100 is &lt;a href=&quot;http://twitter.com/anamariecox/&quot;&gt;@anamariecox&lt;/a&gt;. Imho. Ymmv. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;4. There&apos;s an awful lot of classic &lt;i&gt;What I Had For Lunch&lt;/i&gt; type tweeting. The biggest offenders, the three Twitter guys, &lt;a href=&quot;http://twitter.com/ev/&quot;&gt;@ev&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/biz/&quot;&gt;@biz&lt;/a&gt; and &lt;a href=&quot;http://twitter.com/jack/&quot;&gt;@jack&lt;/a&gt;. Same with &lt;a href=&quot;http://twitter.com/aplusk/&quot;&gt;@aplusk&lt;/a&gt; and the rappers and sports stars. They tweet infrequently and when they do they&apos;re borrring.&lt;br&gt;&lt;br&gt;5. &lt;a href=&quot;http://twitter.com/oprah&quot;&gt;@oprah&lt;/a&gt;&apos;s fans got excited about Twitter for nothing. She&apos;s followed by 922K, follows 11 (all of them superstars) and has updated 38 times.&lt;br&gt;&lt;br&gt;5a. Maybe something the stars aren&apos;t aware of or prepared for is how visible and transparent they are. In the non-twitter world we can&apos;t tell how much of their fan mail they respond to, or who they talk with and what they say when they&apos;re being themselves. On Twitter, we can. This might not be what they intended. &lt;br&gt;&lt;br&gt;6. &lt;a href=&quot;http://twitter.com/timoreilly/&quot;&gt;@timoreilly&lt;/a&gt; wins the prize for effort among the twitter superstars. It&apos;s pretty &lt;a href=&quot;http://discuss.100twt.com/2009/05/09/02955.html&quot;&gt;obvious&lt;/a&gt; he&apos;s doing it himself, or as obvious as it can be (he might pay someone to make it look like he&apos;s doing it himself).&lt;br&gt;&lt;br&gt;7. I think people who tuned into it are as bored as I am. The usage was huge in the first few days, about 50K hits per day, but it&apos;s tailed off a lot now. &lt;br&gt;&lt;br&gt;</description>
			<pubDate>Sat, 09 May 2009 20:15:56 GMT</pubDate>
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			<title>Tomorrow&apos;s inspiration</title>
			<link>http://www.scripting.com/stories/2009/05/09/tomorrowsInspiration.html</link>
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			<description>For the last couple of months I&apos;ve done a podcast every Sunday with Jay Rosen. Three Sundays ago he had a great idea, every week let&apos;s choose someone to honor as a source of inspiration to the new journalism we see emerging. &lt;br&gt;&lt;br&gt;We alternate weeks, the first time he chose Edison Carter, the reporter on the &lt;a href=&quot;http://en.wikipedia.org/wiki/Max_Headroom_(TV_series)&quot;&gt;Max Headroom&lt;/a&gt; TV series of the 80s. Then I chose Jon Postel, the man behind many of the open protocols of the Internet, and the keeper of its spirit, who passed away just as the Internet was becoming a huge societal force. And last week Jay chose Josh Marshall of Talking Point Memo. Now it&apos;s my turn.&lt;br&gt;&lt;br&gt;I gave it a lot of thought. It seems we&apos;re doing the Yin and the Yang. Jay comes at it from the journalism side, and I approach from the tech side. This week I will continue in this mode. &lt;br&gt;&lt;br&gt;My choice is &lt;a href=&quot;http://en.wikipedia.org/wiki/Ted_Nelson&quot;&gt;Ted Nelson&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/09/dreamMachines.gif&quot; width=&quot;125&quot; height=&quot;164&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named dreamMachines.gif&quot;&gt;Nelson wrote a &lt;a href=&quot;http://www.amazon.com/Computer-Dream-Machines-Theodor-Nelson/dp/0893470023&quot;&gt;book&lt;/a&gt; called Computer Lib/Dream Machines, in the 1970s, in which he chronicled, in a very bloglike fashion (long before blogs existed of course) the path that computers took to become the ideal tools for thinking and collaboration. This was a very radical idea at the time, I know because I was talking to people about the same concepts, and getting told that computers are not creative tools, by people who supposedly knew better.&lt;br&gt;&lt;br&gt;There were a small number of hippie computer types, not much like the guys who wore the nerd pocket protectors. We got dates, were gregarious and outgoing, liked to do drugs, and music -- and thought computers fit into the groovy lifestyle. It was kind of a lonely thing. The hippies didn&apos;t know what to make of us and neither did the nerds. But when Nelson&apos;s book crossed my path, and the paths of people like me, it gave us a sense that others saw it the same way. &lt;br&gt;&lt;br&gt;Today, few question that computers are used for thinking and collaboration, although the people who say bloggers will never do the work of journalists sound a lot like the people who questioned computers as human tools in the 70s. The venture capitalists and entrepreneurs of Silicon Valley don&apos;t understand why someone would develop technology without a plan to get rich from it, but the hippie tech guys don&apos;t have a problem with that. Changing the world for the better is a good enough cause. Helping people share their knowledge and insight is &lt;i&gt;most&lt;/i&gt; of what computers do, most people who use them have no hope of getting rich from using them, but they do it anyway. So while the attention focuses on the people who make the money, the real action is with the people who learn and teach and share with them. &lt;br&gt;&lt;br&gt;Further, Nelson believed, as I did and still do, that computers were primarily tools to connect up to networks. Later Sun Microsystems would codify this with the slogan &quot;The Network is the Computer.&quot; &lt;br&gt;&lt;br&gt;For those who have read Nelson&apos;s book, you must have guessed that at some point I will choose Doug Engelbart, and you would be right. But I first learned of Engelbart&apos;s work through Nelson&apos;s book. I met Nelson before I met Engelbart. Neither of these heroes are perfect, but then heroes who are real people never are. But Nelson&apos;s work is monumental, it gave hope and confidence to a generation of people who did make a huge difference. That&apos;s good enough to be my choice for this week. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Sat, 09 May 2009 18:49:01 GMT</pubDate>
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			<title>Tweeting behind the firewall</title>
			<link>http://www.scripting.com/stories/2009/05/08/tweetingBehindTheFirewall.html</link>
			<guid>http://www.scripting.com/stories/2009/05/08/tweetingBehindTheFirewall.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/08/tweetingBehindTheFirewall.html#disqus_thread</comments>
			<description>&lt;a href=&quot;http://www.scripting.com/stories/2009/03/30/iGetIdeasDrivingInSnowStor.html&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/08/hope.jpg&quot; width=&quot;150&quot; height=&quot;253&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named hope.jpg&quot;&gt;&lt;/a&gt;I just added a new feature to &lt;a href=&quot;http://100twt.com/&quot;&gt;100twt.com&lt;/a&gt; tonight, with the help of Daniel and Jason at Disqus: You can now comment on the tweets of people in the Top 100. That&apos;s just the first toe-dip into commenting on tweets in general, a starting point.&lt;br&gt;&lt;br&gt;To kick it off I posted a &lt;a href=&quot;http://discuss.100twt.com/2009/05/08/02665.html?dsq=9145692#comment-9145692&quot;&gt;comment on a tweet&lt;/a&gt; by @ev, where he talks about a &lt;i&gt;tweetranet&lt;/i&gt; at a staff meeting at Twitter HQ today. This is a topic much in the air these days after a blog post by Matt Mullenweg at wordpress.com about a behind-the-firewall Twitter-like system they&apos;re using there. &lt;br&gt;&lt;br&gt;Lots of opportunity here, we did something similar in &lt;a href=&quot;http://www.scripting.com/stories/2009/01/16/instantOutliningGetsDiscov.html#p3&quot;&gt;2001 at UserLand&lt;/a&gt;. It&apos;s all coming back around folks.&lt;br&gt;&lt;br&gt;The cool thing about comments, &lt;i&gt;they&apos;re not limited to 140 chars!&lt;/i&gt; &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Sat, 09 May 2009 01:27:30 GMT</pubDate>
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			<title>Amazon&apos;s new URL-shortener</title>
			<link>http://www.scripting.com/stories/2009/05/08/amazonsNewUrlshortener.html</link>
			<guid>http://www.scripting.com/stories/2009/05/08/amazonsNewUrlshortener.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/08/amazonsNewUrlshortener.html#disqus_thread</comments>
			<description>&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/08/accordion.gif&quot; width=&quot;81&quot; height=&quot;194&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named accordion.gif&quot;&gt;&lt;a href=&quot;http://www.scripting.com/stories/2009/03/07/solvingTheTinyurlCentraliz.html&quot;&gt;In March&lt;/a&gt;, I observed that Amazon had already done some URL shortening on its own, meaning that a link like this: &lt;br&gt;&lt;br&gt;http://amazon.com/wii &lt;br&gt;&lt;br&gt;actually works. Now, apparently they&apos;ve gone further and have a shorter domain, amzn.com and a huge number of short URLs in that domain that take you to product pages on amazon.com. &lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://blog.go2.me/2009/04/amazon-has-integrated-url-shortener.html&quot;&gt;Mike Koss wrote&lt;/a&gt; a script that worked its way through a dictionary trying all the different words, and published the list. (That&apos;s what I call investigative journalism, so much for bloggers being lazy.)&lt;br&gt;&lt;br&gt;I&apos;d love to see an official word from Amazon on this. How is a user supposed to go from a page on Amazon to a short URL? Even better, suppose they had a bookmarklet that would automatically populate the Twitter &quot;What are you doing?&quot; box with some text and a copy of the short URL? Might be a real money-maker, and we know that Amazon likes to make money! (And Bezos is also an investor in Twitter.)&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Fri, 08 May 2009 20:44:36 GMT</pubDate>
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			<title>Nothing from nothing</title>
			<link>http://www.scripting.com/stories/2009/05/08/nothingFromNothing.html</link>
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			<description>&lt;object width=&quot;318&quot; height=&quot;258&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/G_DV54ddNHE&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/G_DV54ddNHE&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;318&quot; height=&quot;258&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Fri, 08 May 2009 07:00:00 GMT</pubDate>
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			<title>RSS is dead? My ass...</title>
			<link>http://www.scripting.com/stories/2009/05/06/rssIsDeadMyAss.html</link>
			<guid>http://www.scripting.com/stories/2009/05/06/rssIsDeadMyAss.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/06/rssIsDeadMyAss.html#disqus_thread</comments>
			<description>&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/06/spiderman.gif&quot; width=&quot;115&quot; height=&quot;204&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named spiderman.gif&quot;&gt;I&apos;ve been programming like a bat out of hell, in one of my most hectic spurts of creativity in a very long time. Not much time for blogging. &lt;br&gt;&lt;br&gt;One of the results is a site where you can view the tweets of the &lt;a href=&quot;http://100twt.com/&quot;&gt;100 most-followed&lt;/a&gt; people and corporations on Twitter. These really reflect the friendships and choices of Twitter the company, pretty sure they&apos;re all on the SUL. But they&apos;re using Twitter, and it&apos;s fascinating to see how. Esp to see this as a benchmark, a beginning. What will the tweeting of the top 100 look like in a year? Already you can see it&apos;s very competitive.&lt;br&gt;&lt;br&gt;It&apos;s coool. There&apos;s a lot more coming, if any of the other stuff I&apos;m working on reaches fruition.&lt;br&gt;&lt;br&gt;I&apos;m singing a happy song! I love the work I&apos;m doing.&lt;br&gt;&lt;br&gt;I&apos;m thinking of Mick Jagger and the band, warming up, and some drunken asshole is yelling at him from the audience. Jagger says, in his inimitable Jagger style: &quot;Everything okay up there in the critics section?&quot; And then they swing into a great rock and roll song, which I could remember which one. &lt;br&gt;&lt;br&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/06/loverss.gif&quot; width=&quot;95&quot; height=&quot;95&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named loverss.gif&quot;&gt;Steve Gillmor, writing in TechCrunch &lt;a href=&quot;http://www.techcrunchit.com/2009/05/05/rest-in-peace-rss/?awesm=tcrn.ch_1LS&amp;utm_medium=tcrn.ch-twitter&amp;utm_content=techcrunch-autopost&amp;utm_campaign=techcrunch&amp;utm_source=direct-tcrn.ch&quot;&gt;says&lt;/a&gt; RSS is dead. He has a nice picture of the Beatles in what must be their last year as a group. RSS ain&apos;t like the Beatles, Steve, it&apos;s more like the &lt;a href=&quot;http://en.wikipedia.org/wiki/The_Rolling_Stones&quot;&gt;Stones&lt;/a&gt;. Rough and passionate. And still with us after all these years.&lt;br&gt;&lt;br&gt;As I said in the comments on Steve&apos;s post, with some irony, RSS is as dead as HTTP and SMTP, which is to say it&apos;s alive and kicking. These protocols get widely implemented, are so deeply ingrained in the infrastructure they become part of the fabric of the Internet. They don&apos;t die, they don&apos;t rest in piece. They become the foundation for everything that follows. &lt;br&gt;&lt;br&gt;When you reboot your computer, whether it&apos;s a Mac or Linux machine or Windows box or netbook, probably even your cellphone, they all first load some ancient code written in the 70s by some guy no one remembers. That&apos;s the way software works. &lt;br&gt;&lt;br&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/06/chuckBerry.jpg&quot; width=&quot;95&quot; height=&quot;148&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named chuckBerry.jpg&quot;&gt;Mick Jagger didn&apos;t say &lt;a href=&quot;http://en.wikipedia.org/wiki/Muddy_Waters&quot;&gt;Muddy Waters&lt;/a&gt; or &lt;a href=&quot;http://en.wikipedia.org/wiki/Chuck_Berry&quot;&gt;Chuck Berry&lt;/a&gt; are dead. He loved those guys. Their work lived on in his music, and he was good to them. It&apos;s time for the tech biz to learn about love, Steve. Open your heart and sing happy birthday to RSS. It&apos;s been very good to you. You should be good to RSS, though god knows most of the icons of tech have been really unappreciative at the gifts RSS brought them. It&apos;s really sad what &lt;a href=&quot;http://en.wikipedia.org/wiki/Mister_Potter&quot;&gt;grumpy&lt;/a&gt; pissy jerks these guys are. &lt;br&gt;&lt;br&gt;There are bursts of inspiration with wide open fields in front of you, huge memory spaces, and then things get crowded and we move on, looking for new frontiers to explore. The early years of the web, the early-mid 90s were like that. It was in that environment that &lt;a href=&quot;http://scripting.com/davenet/1999/06/24/syndicationAggregation.html#4&quot;&gt;RSS sprouted&lt;/a&gt;, after a few failed attempts with &lt;a href=&quot;http://www.wired.com/wired/archive/5.03/ff_push.html&quot;&gt;too much hype&lt;/a&gt;. I feel like we&apos;re there again, and it&apos;s not like the 70s, it&apos;s like the 30s. The film industry of today is still refining the art that was invented in that period as the next decades will be spent building and revising that which was defined in the last few decades.&lt;br&gt;&lt;br&gt;That&apos;s why I love &lt;a href=&quot;http://en.wikipedia.org/wiki/Joan_Crawford&quot;&gt;Joan Crawford&lt;/a&gt;, btw -- she&apos;s one of the very few stars of the silent era to blossom in the talkies. You can see her in this &lt;a href=&quot;http://www.youtube.com/watch?v=EUoTAtl8lv8&quot;&gt;clip&lt;/a&gt; from &lt;a href=&quot;http://www.google.com/search?q=The+Hollywood+Revue+of+1929&quot;&gt;The Hollywood Revue of 1929&lt;/a&gt;, along with many of the stars who didn&apos;t make the transition. Can you see the charm in the young Joan Crawford, and why it worked so well in both the new and old media?&lt;br&gt;&lt;br&gt;&lt;object width=&quot;318&quot; height=&quot;258&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/EUoTAtl8lv8&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/EUoTAtl8lv8&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;318&quot; height=&quot;258&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br&gt;&lt;br&gt;PS: Just got a funny DM from Anil Dash. He says: &quot;Just call their bluff! Anybody who thinks RSS is dead should stop publishing their feeds or shut up. Easy!&quot; Hmmm. That&apos;s a good point. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Thu, 07 May 2009 01:48:08 GMT</pubDate>
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			<title>Gadget talk with Scoble</title>
			<link>http://www.scripting.com/stories/2009/05/05/gadgetTalkWithScoble.html</link>
			<guid>http://www.scripting.com/stories/2009/05/05/gadgetTalkWithScoble.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/05/gadgetTalkWithScoble.html#disqus_thread</comments>
			<description>&lt;a href=&quot;http://www.flickr.com/photos/scriptingnews/3504934864/&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/05/pre.jpg&quot; width=&quot;85&quot; height=&quot;148&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named pre.jpg&quot;&gt;&lt;/a&gt;I was browsing FriendFeed yesterday and saw Scoble had started a &lt;a href=&quot;http://friendfeed.com/scobleizer/8a333d4f/i-already-have-kindle-bigger-one-would-like-it&quot;&gt;thread&lt;/a&gt; on the &lt;a href=&quot;http://www.engadget.com/2009/05/04/amazon-kindle-dx-to-feature-9-7-inch-display/&quot;&gt;new Kindle&lt;/a&gt;, which was being dismissed by the tech press as a &quot;Hail Mary pass&quot; to save the news industry. I don&apos;t see it that way. I like the Kindle, esp for reading the news, but a Kindle with a bigger screen might make the news even more attractive. Do I think it will work? I don&apos;t know, but why not give it a try.&lt;br&gt;&lt;br&gt;So I called BlogTalkRadio, then called Scoble and we did a &lt;a href=&quot;http://mp3.morningcoffeenotes.com/mcn2009May04.mp3&quot;&gt;quick podcast&lt;/a&gt;, that started out talking about the Kindle, but turned to gadgets, the iPhone, the MIT Tech Review slam of Clay Shirky and myself, and on to opportunities for the Palm Pre to zig where Apple zags. They could let the software market run without control from the mother ship, see what happens. Maybe there are some great X-rated apps for mobile devices? &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;As always, you can &lt;a href=&quot;http://scripting.com/rss.xml&quot;&gt;subscribe&lt;/a&gt; to my podcasts using a podcatcher or iTunes.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Tue, 05 May 2009 15:46:29 GMT</pubDate>
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			<title>Tricks your mind plays</title>
			<link>http://www.scripting.com/stories/2009/05/04/tricksYourMindPlays.html</link>
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			<description>It&apos;s confusing when your mind plays tricks because it&apos;s playing many roles.&lt;br&gt;&lt;br&gt;1. It is the subject of the trick (it&apos;s doing the tricking).&lt;br&gt;&lt;br&gt;2. It is the object of the trick (it&apos;s being tricked).&lt;br&gt;&lt;br&gt;3. It is perceived by the mind to be something other than what it is (the trick worked).&lt;br&gt;&lt;br&gt;4. And the mind perceives itself misperceiving (it&apos;s aware the trick worked).&lt;br&gt;&lt;br&gt;5. You can see this never ends. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;In the early days of the blogosphere we called this: watching them watch us watch them watch us watch them watch us. We&apos;re still doing it, many years later -- and it was going on long before the blogosphere. Humans are all about watching, mostly watching other humans, and in doing so hoping to learn something about themself. To the extent that we&apos;re aware that there are things that are not human, we tend to anthropomorphize them -- treat them as if they were human. &lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.flickr.com/photos/scriptingnews/3503448168/&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/04/picasso.gif&quot; width=&quot;125&quot; height=&quot;154&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named picasso.gif&quot;&gt;&lt;/a&gt;Sometimes the tricks are willful, but usually it all happens below the consciousness. I play willful tricks all the time. To quit smoking there&apos;s a lot of trickery involved. My mind has trained itself to believe many things that are untrue about smoking. Some examples: Without smoking I will die. I use smoking to solve problems. &lt;i&gt;I can&apos;t quit.&lt;/i&gt; Of course you can. If you put your foot down and said &quot;Enough of this foolishness&quot; to yourself, as an adult to a child, there would be no argument. But you never say that, because you don&apos;t want to quit and in order not to, you have to believe you can&apos;t.&lt;br&gt;&lt;br&gt;It&apos;s so incredibly complicated. Mostly because there are so many observers all in one body. With so many different versions of the truth it&apos;s hard to sort it all out. &lt;br&gt;&lt;br&gt;Now when you add millions of people to the mix, as you do on the Internet, without the normal cues and gestures that give you some idea of where the other people are coming from, the amount of trickery, conscious and unconscious, goes way up. &lt;br&gt;&lt;br&gt;When someone says something emotional about another person, based only on knowing them through the Internet, they&apos;re really describing how they feel when they&apos;re reading what that person has written.&lt;br&gt;&lt;br&gt;When someone says &quot;He&apos;s really angry&quot; what they really mean is &quot;I feel angry when I read his writing.&quot;&lt;br&gt;&lt;br&gt;There&apos;s no way you can know if someone is angry or not, esp if you&apos;re just reading. And if you were right, you&apos;re talking about an emotion that occurred in the past, when he or she was writing what you are reading now. To respond to this person as if he is angry now would be a mistake. Think about how quickly emotions pass. I can be angry or scared and in five minutes be relaxed and feel safe. Watch a child, their emotions shift in fractions of a second. All you can be sure of is how you feel. And given all the tricks you&apos;re playing on yourself all the time, maybe you&apos;re not actually so sure. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Tue, 05 May 2009 02:57:00 GMT</pubDate>
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			<title>Rebooting the News #8</title>
			<link>http://www.scripting.com/stories/2009/05/03/rebootingTheNews8.html</link>
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			<description>This week&apos;s &lt;a href=&quot;http://mp3.morningcoffeenotes.com/reboot09May03.mp3&quot;&gt;podcast&lt;/a&gt; with Jay Rosen is up.&lt;br&gt;&lt;br&gt;Topics: Jay opted out of  Twitter&apos;s Suggested Users List, he explains why and we discuss. His choice for Inspiration of the Week is Josh Marshall of Talking Points Memo.&lt;br&gt;&lt;br&gt;As always, you can &lt;a href=&quot;http://scripting.com/rss.xml&quot;&gt;subscribe&lt;/a&gt; in your podcatcher or iTunes.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Mon, 04 May 2009 02:56:43 GMT</pubDate>
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			<title>Conflicts of interest in tech</title>
			<link>http://www.scripting.com/stories/2009/05/03/conflictsOfInterestInTech.html</link>
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			<description>It&apos;s Jay&apos;s week for the source of inspiration, so I&apos;m bringing a different topic to our weekly potluck of speculation about Rebooting The News. &lt;br&gt;&lt;br&gt;Obviously we&apos;re going to talk about Twitter&apos;s suggested users list. &lt;br&gt;&lt;br&gt;Last week: 1. Jay was put on the list, 2. Got the surge in new followers, then 3. Asked to be taken off, and 4. Was taken off. &lt;br&gt;&lt;br&gt;You can see the effect on his follower count in this &lt;a href=&quot;http://twittercounter.com/compare/jayrosen_nyu/davewiner/month&quot;&gt;graph&lt;/a&gt;. I took a &lt;a href=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/03/jaygraph.gif&quot;&gt;screen shot&lt;/a&gt; because it will scroll off over time. It&apos;s stunning. Very clearly, being on the SUL has a dramatic effect on your count.&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.scripting.com/stories/2009/04/28/weAreWhatTheyAreGoingToSel.html&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/03/santa.gif&quot; width=&quot;125&quot; height=&quot;199&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named santa.gif&quot;&gt;&lt;/a&gt;We&apos;ve talked about conflicts of interest among journalists, but haven&apos;t talked about the same thing for tech people. Mike Arrington &lt;a href=&quot;http://www.techcrunch.com/2009/03/13/the-rules-apply-to-everyone/comment-page-3/&quot;&gt;tried&lt;/a&gt; to ignite a scandal around me over something that happened at UserLand in 2002, when I was on the vendor side (and a blogger, which is part of what blogging was and is about). I &lt;a href=&quot;http://www.scripting.com/stories/2009/04/10/anApologyToRadioUsers.html&quot;&gt;responded&lt;/a&gt;, not with a blanket dismissal such as &quot;Vendors don&apos;t have conflicts of interest&quot; -- because I believe they do. They can get themselves out of conflict by divesting and/or disclosing. I guess most people felt that what I did wasn&apos;t so bad, because the hatefest never came about, and Mike looked bad, as if he was trying to deflect attention away from an &lt;a href=&quot;http://www.scripting.com/stories/2009/03/12/whyItsTimeToBreakOutOfTwit.html&quot;&gt;article&lt;/a&gt; I had written the day before, about the conflicts that arise from accepting a large gift from a vendor you cover, without disclosing it when you write about them. &lt;br&gt;&lt;br&gt;Today we&apos;ll find out, from Jay, what it means for a professor of journalism, and for an ordinary human being to receive such a gift. &lt;br&gt;&lt;br&gt;In the course of the public discussion last week, I said that if I were put on the Suggested Users List, I would ask to be removed, and if the request wasn&apos;t honored, I would delete the account. I don&apos;t want the distortion it causes. I don&apos;t see Twitter as an advertising medium, I am not a journalist and &lt;i&gt;could&lt;/i&gt; ethically receive a gift from a vendor, even so I would refuse it. I don&apos;t believe that Twitter should be getting in the middle of the relationship between users of its service. That&apos;s sacred territory. This is a matter of net neutrality. Could someone like Mike, who writes passionately about net neutrality in his TechCrunch column, possibly &lt;i&gt;not&lt;/i&gt; see this?&lt;br&gt;&lt;br&gt;Anyway, all this is a preamble for where I want to take this, because while these ethical issues are central to the trust between writers and readers, the economics of the web are goverened by another conflict, one that is very rarely talked about. I&apos;d like to get it out there.&lt;br&gt;&lt;br&gt;Here&apos;s the story...&lt;br&gt;&lt;br&gt;1. Google makes a lot of money from advertising.&lt;br&gt;&lt;br&gt;2. If one were to define advertising, it seems to me you&apos;d have to include the idea of intrusion. An ad intrudes on your experience, it&apos;s a sidebar, it&apos;s something you wouldn&apos;t think of on your own. If you&apos;re already humming my jingle, I don&apos;t have to pay someone to play it for you. Or so it seems. &lt;br&gt;&lt;br&gt;3. As search gets better, it will obviate the need for intrusion. A perfectly targeted ad at some point stops being intrusive and starts becoming information. If you get me the commercial fact that I need at precisely the moment I need it, you don&apos;t have to impose on me, I will welcome that. &lt;br&gt;&lt;br&gt;4. Google is in the business of getting you the exact fact or link that you&apos;re looking for as quickly as possible.&lt;br&gt;&lt;br&gt;5. Its advertisers pay money to get you their link before you find one in the search results.&lt;br&gt;&lt;br&gt;6. But if they&apos;re the same link, maybe the advertiser will stop paying? Or if the customer believes that a better link is in the first search results rather than on page 5 or not there at all? The customer, perfectly happy, never has a reason to go where the ads direct them.&lt;br&gt;&lt;br&gt;Now, I know that there are other forms of advertising, ones that program you to think a certain way, but you don&apos;t see those kinds of ads on Google. Maybe they&apos;ll have to change, because as the search engine gets better and better, which it should (right?) the ads will play less of a role.&lt;br&gt;&lt;br&gt;We know that companies don&apos;t always play fair.&lt;br&gt;&lt;br&gt;There was the case of GM sabotaging the public transit system in Los Angeles.&lt;br&gt;&lt;br&gt;A lot of companies profited from the war in Iraq. If you don&apos;t believe they helped get that war going, I have a nice &lt;a href=&quot;http://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=brooklyn+bridge,+new+york&amp;sll=37.891853,-122.274908&amp;sspn=0.011566,0.016093&amp;ie=UTF8&amp;z=15&amp;iwloc=A&quot;&gt;bridge&lt;/a&gt; to sell you. Special price. Just for you. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;Closer to home, the recent price drop in laptops, the netbooks, show that there was some kind of price fixing going on before that, a collusion between the vendors to keep prices high. So we know that the tech industry is capable of the same dirty economics as other industries.&lt;br&gt;&lt;br&gt;When Google has to cut its own revenue stream by enhancing search, will they do it? So far the competition has made this easy for them, but just this week Wolfram Research has been wooing the analysts with their new way to do search. Maybe this isn&apos;t the challenger that will push Google to seriously upgrade search, if not, surely at some point it will happen.&lt;br&gt;&lt;br&gt;I don&apos;t know how you feel, but it seems to me that search has been pretty constant for the last few years. It&apos;s been a long time since the quantum improvement that Google offered over Infoseek, Alta Vista, et al. &lt;br&gt;&lt;br&gt;</description>
			<pubDate>Sun, 03 May 2009 23:25:19 GMT</pubDate>
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			<title>New iPhone</title>
			<link>http://www.scripting.com/stories/2009/05/03/newIphone.html</link>
			<guid>http://www.scripting.com/stories/2009/05/03/newIphone.html</guid>
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			<description>&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/03/iphone.gif&quot; width=&quot;107&quot; height=&quot;176&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named iphone.gif&quot;&gt;It was raining on Friday, and I went for a long walk up and down the hills, very vigorous -- but I got soaked and so did my iPhone. After taking its last &lt;a href=&quot;http://www.flickr.com/photos/scriptingnews/3492236611/&quot;&gt;picture&lt;/a&gt; and uploading it to Flickr, it died. It wouldn&apos;t respond to attempts to revive it, so I took it down to the &lt;a href=&quot;http://eastbay.citysearch.com/profile/map/46257384/berkeley_ca/at_t_mobility.html&quot;&gt;AT&amp;T Store&lt;/a&gt; in downtown Berkeley and bought a replacement for $199. &lt;br&gt;&lt;br&gt;My old iPhone truly was &lt;a href=&quot;http://www.scripting.com/stories/2007/06/30/initialReviewOfIphone.html&quot;&gt;old&lt;/a&gt;, this bright shiny new one is so much nicer -- and faster. And the restore process worked flawlessly. Everything from the old phone was backed up on my Mac, and when I inserted the new one it asked if I wanted to restore it from the old image. I said yes. It took a long time, but I lost nothing, except passwords, which is the right way for it to work. &lt;br&gt;&lt;br&gt;So now I have a new iPhone and where almost everything was broken on the old one, nothing is broken on this one. So the iPod functions work, and it can play videos -- the old one couldn&apos;t do eitehr of these things. All my headphones work with the new one, the old one had a non-standard jack for headphones (yes, I know I could get an adapter, but I can&apos;t manage to keep track of things like that, it was pointless). &lt;br&gt;&lt;br&gt;But I still want to bring a music/video player with me because the iPhone, apparently -- can&apos;t multitask! If I&apos;m watching a movie and it&apos;s going through a boring spell, or I just want to listen to the dialog, why can&apos;t I check my email or Twitter -- or look something up on Google? When I use my laptop I can do all these things and watch a movie.&lt;br&gt;&lt;br&gt;And I&apos;m reminded how shitty the keyboard is on the iPhone, and think it&apos;s a paradox that &lt;a href=&quot;http://www.liliputing.com/2009/04/apple-netbooks-still-suck.html&quot;&gt;Apple&apos;s COO says&lt;/a&gt; netbooks have &quot;cramped&quot; keyboards. The iPod has the worst keyboard. Even if I type something correctly, there&apos;s a pretty good chance it&apos;ll change it to something ridiculous. When the Newton first came out people used to &lt;a href=&quot;http://www.doonesbury.com/strip/retro/timeline/90s/930827.html&quot;&gt;laugh&lt;/a&gt; at how it would mess things up. The iPod really isn&apos;t much better, but people stopped laughing. I wonder why? Cook is wrong -- my Eee PC has an infintely better keyboard than the iPhone, and you know something -- it costs &lt;i&gt;less&lt;/i&gt; than an iPhone too. &lt;br&gt;&lt;br&gt;Anyway -- net-net -- it&apos;s a nice new toy to have. In a way I&apos;m glad the old one broke. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Sun, 03 May 2009 19:22:44 GMT</pubDate>
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			<title>Posting to twitpic and posterous?</title>
			<link>http://www.scripting.com/stories/2009/05/01/postingToTwitpicAndPostero.html</link>
			<guid>http://www.scripting.com/stories/2009/05/01/postingToTwitpicAndPostero.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/01/postingToTwitpicAndPostero.html#disqus_thread</comments>
			<description>I&apos;m having the damndest time figuring out the APIs to these &lt;a href=&quot;http://twitpic.com/api.do&quot;&gt;two&lt;/a&gt; web &lt;a href=&quot;http://www.posterous.com/api/twitter&quot;&gt;services&lt;/a&gt;. I just want to post a picture. I already have code that does multipart forms, for Flickr and the now-defunct Pownce. These guys seem to be doing it in a non-standard way. Anyone with a clue?&lt;br&gt;&lt;br&gt;Update #1: I got it working with &lt;a href=&quot;http://davewinertest-ygpb.posterous.com/&quot;&gt;Posterous&lt;/a&gt;, but I get &lt;i&gt;image not found&lt;/i&gt; from Twitpic. Here&apos;s the &lt;a href=&quot;http://scripting.com/misc/twitPicRequest.txt&quot;&gt;request&lt;/a&gt; I&apos;m sending to Twitpic, with the password xxx&apos;d out.&lt;br&gt;&lt;br&gt;Update #2: &lt;a href=&quot;http://www.scripting.com/stories/2009/05/01/postingToTwitpicAndPostero.html#comment-8908874&quot;&gt;Don Park&lt;/a&gt; debugged it, now it works &lt;a href=&quot;http://twitpic.com/4d0hg&quot;&gt;with&lt;/a&gt; &lt;a href=&quot;http://davewinertest-ygpb.posterous.com/592071&quot;&gt;both&lt;/a&gt;.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Fri, 01 May 2009 20:26:02 GMT</pubDate>
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			<title>Maybe it should be social from the start?</title>
			<link>http://www.scripting.com/stories/2009/05/01/maybeItShouldBeSocialFromT.html</link>
			<guid>http://www.scripting.com/stories/2009/05/01/maybeItShouldBeSocialFromT.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/01/maybeItShouldBeSocialFromT.html#disqus_thread</comments>
			<description>&lt;a href=&quot;http://www.scripting.com/stories/2009/04/28/weAreWhatTheyAreGoingToSel.html&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/05/01/santa.gif&quot; width=&quot;85&quot; height=&quot;135&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named santa.gif&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://images.scripting.com/archiveScriptingCom/2009/04/30/newtwitteruser.html&quot;&gt;Seeing&lt;/a&gt; the first-time Twitter user &lt;a href=&quot;http://www.scripting.com/stories/2009/05/01/whatAFirsttimeTwitterUserS.html&quot;&gt;experience&lt;/a&gt; reinforced an idea that&apos;s been lurking in the background. Since the magic of Twitter is, theoretically, in its limits, perhaps they should have a limit on who can join and under what circumstances. Perhaps before you can create a new account you have to name 20 people with Twitter accounts who you want to follow. They could be celebrities if you want, or spammers -- then at least the recommended users could be tailored to your interests. The algorithms that suggest new feeds kick in, and they are well understood, once you have a few seeds to get started. The one-size-fits-all approach obviously isn&apos;t working.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Fri, 01 May 2009 20:18:56 GMT</pubDate>
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			<title>What a first-time Twitter user sees</title>
			<link>http://www.scripting.com/stories/2009/05/01/whatAFirsttimeTwitterUserS.html</link>
			<guid>http://www.scripting.com/stories/2009/05/01/whatAFirsttimeTwitterUserS.html</guid>
			<comments>http://www.scripting.com/stories/2009/05/01/whatAFirsttimeTwitterUserS.html#disqus_thread</comments>
			<description>I&apos;m doing some work with a Twitter app that wants my username and password so I needed an account to test with. I created one, and accepted the &lt;a href=&quot;http://twitter.com/davewinertest/friends&quot;&gt;20 users&lt;/a&gt; that they suggested. This is what I saw: &lt;br&gt;&lt;br&gt;http://tr.im/keiv  &lt;br&gt;&lt;br&gt;There&apos;s a lot of spam in there, and little that&apos;s coherent. This is the best they could find? Are they even watching?&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Fri, 01 May 2009 19:10:53 GMT</pubDate>
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			<title>DiGiorno pizza is tasty food</title>
			<link>http://www.scripting.com/stories/2009/04/30/digiornoPizzaIsTastyFood.html</link>
			<guid>http://www.scripting.com/stories/2009/04/30/digiornoPizzaIsTastyFood.html</guid>
			<comments>http://www.scripting.com/stories/2009/04/30/digiornoPizzaIsTastyFood.html#disqus_thread</comments>
			<description>We don&apos;t have ads on Scripting News, but from time to time I put in a plug for a product I really like. &lt;br&gt;&lt;br&gt;A few weeks ago I got a fantastic &lt;a href=&quot;http://www.amazon.com/Cuisinart-TOB-195-Convection-Toaster-Stainless/dp/B000PYF768/ref=sr_1_1?ie=UTF8&amp;s=home-garden&amp;qid=1241149433&amp;sr=8-1&quot;&gt;toaster oven&lt;/a&gt;, and I&apos;ve been looking for food it cooks well. I picked up one of these DiGiorno pizzas and man they are some good food. &lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://brands.kraftfoods.com/Digiorno&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/04/30/piza.jpg&quot; width=&quot;200&quot; height=&quot;200&quot; border=&quot;0&quot; alt=&quot;A picture named piza.jpg&quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;It&apos;s not &lt;a href=&quot;http://en.wikipedia.org/wiki/Ray%27s_Pizza&quot;&gt;Ray&apos;s&lt;/a&gt;, it&apos;s not NY pizza, which is still the best. Yeah it&apos;s made by &lt;a href=&quot;http://www.kraftfoodscompany.com/Brands/featured-brands/digiorno_ultimate.htm&quot;&gt;Kraft&lt;/a&gt; and it probably is junk food. But it tastes &lt;i&gt;soooo&lt;/i&gt; good! &lt;br&gt;&lt;br&gt;</description>
			<pubDate>Fri, 01 May 2009 03:38:44 GMT</pubDate>
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			<title>Breakage in the new Twitter UI</title>
			<link>http://www.scripting.com/stories/2009/04/30/breakageInTheNewTwitterUi.html</link>
			<guid>http://www.scripting.com/stories/2009/04/30/breakageInTheNewTwitterUi.html</guid>
			<comments>http://www.scripting.com/stories/2009/04/30/breakageInTheNewTwitterUi.html#disqus_thread</comments>
			<description>I happy to report that I have the &lt;a href=&quot;http://blog.twitter.com/2009/04/twitter-search-for-everyone.html&quot;&gt;new Twitter user interface&lt;/a&gt; on my account and it&apos;s nice.&lt;br&gt;&lt;br&gt;However, apparently the &quot;status&quot; param is no longer recognized.&lt;br&gt;&lt;br&gt;http://twitter.com/home?status=thisusedtowork &lt;br&gt;&lt;br&gt;That would &lt;a href=&quot;http://images.scripting.com/archiveScriptingCom/2009/04/30/whatareyoudoing.gif&quot;&gt;put&lt;/a&gt; &quot;thisusedtowork&quot; in the &quot;What are you doing?&quot; box. URL shorteners redirect to Twitter with the new shortened address in the &quot;status&quot; param.&lt;br&gt;&lt;br&gt;This change breaks users. Any help would be much appreciated... &lt;br&gt;&lt;br&gt;Update: Just got a direct message from &lt;a href=&quot;http://twitter.com/twitter&quot;&gt;Twitter&lt;/a&gt;, they fixed the breakage. That&apos;s &lt;i&gt;excellent&lt;/i&gt; turnaround. Thanks!! &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Thu, 30 Apr 2009 23:49:13 GMT</pubDate>
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			<title>Impressive</title>
			<link>http://www.scripting.com/stories/2009/04/30/impressive.html</link>
			<guid>http://www.scripting.com/stories/2009/04/30/impressive.html</guid>
			<comments>http://www.scripting.com/stories/2009/04/30/impressive.html#disqus_thread</comments>
			<description>&lt;a href=&quot;http://tr.im/k8gZ&quot;&gt;Jay Rosen&lt;/a&gt;: &quot;I got put on Twitter&apos;s official suggested users list last night. I asked them to take me off it today and they did.&quot;&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Thu, 30 Apr 2009 19:44:33 GMT</pubDate>
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			<title>We. Are. What. They. Are. Going. To. Sell. </title>
			<link>http://www.scripting.com/stories/2009/04/28/weAreWhatTheyAreGoingToSel.html</link>
			<guid>http://www.scripting.com/stories/2009/04/28/weAreWhatTheyAreGoingToSel.html</guid>
			<comments>http://www.scripting.com/stories/2009/04/28/weAreWhatTheyAreGoingToSel.html#disqus_thread</comments>
			<description>&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/04/28/santa.gif&quot; width=&quot;125&quot; height=&quot;199&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named santa.gif&quot;&gt;When people say they don&apos;t know what Twitter&apos;s business model is they&apos;re being silly. They know. We all know. &quot;Let us reason together,&quot; a US President &lt;a href=&quot;http://books.google.com/books?id=Sb8W_Ba3jkkC&amp;pg=PA331&amp;lpg=PA331&amp;dq=%22Let+us+reason+together,%22+lbj&amp;source=bl&amp;ots=g0-6xK3PdR&amp;sig=0qrK9_I4u99Y6tF3EjieUGS8KxA&amp;hl=en&amp;ei=3aT3SfawDpGktAPnn7TbDg&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=6&quot;&gt;once said&lt;/a&gt;.&lt;br&gt;&lt;br&gt;They call it User Generated Content. We&apos;re the users. What do we do? Generate. What do we generate? Content. We&apos;re like the bacteria that make beer or yogurt. You put in the basic ingredients and out the other end comes content! It&apos;s cooool. &lt;img src=&quot;http://www.scripting.com/gifs/QBullets/qbullets/sidesmiley.gif&quot; width=&quot;11&quot; height=&quot;11&quot; border=&quot;0&quot; alt=&quot;smile&quot;&gt;&lt;br&gt;&lt;br&gt;It all came to me last night while I was sitting in a theater watching a &lt;a href=&quot;http://movies.nytimes.com/2009/04/17/movies/17play.html?ref=movies&quot;&gt;really bad movie&lt;/a&gt;, a remake of a totally excellent &lt;a href=&quot;http://www.bbc.co.uk/drama/stateofplay/&quot;&gt;BBC mini-series&lt;/a&gt;. You can tell it was bad because instead of being wrapped up in the plot or studying how they crafted the movie, I was trying to figure out how they got me in the theater. They got me in with celebrity hype. There were &lt;a href=&quot;http://en.wikipedia.org/wiki/Helen_Mirren&quot;&gt;two&lt;/a&gt; great &lt;a href=&quot;http://en.wikipedia.org/wiki/Russell_Crowe&quot;&gt;stars&lt;/a&gt; in the movie. I thought it would be great. I was wrong! I bought two tickets, they got $20 from me, and we walked out it was so bad. (In one scene Mirren walks off stage saying &quot;Fuck you very much,&quot; which I thought was a perfect summation of the movie.)&lt;br&gt;&lt;br&gt;Someday, probably very soon, a movie studio is going to rent Twitter for 24 hours to do a special event for their movie. On that day 1/4 of the tweets you see will be about how great the movie is. You think you&apos;ll quit, and maybe you will, but a lot of people will think it&apos;s cool and they&apos;ll buy the product. Marketers love that kind of stuff. They pay big bucks for it.&lt;br&gt;&lt;br&gt;So if you think that having a lot of celebrities doesn&apos;t have anything to do with you, you&apos;re wrong. The point of celebrities is they say things that everyone hears. That&apos;s what makes them celebrities. You may not want to hear it but they&apos;re going to say it anyway and in the end you &lt;i&gt;are&lt;/i&gt; going to hear it, like it or not.&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://blogs.citypages.com/blotter/2009/04/bachmann_intere.php&quot;&gt;&lt;img src=&quot;http://images.scripting.com/archiveScriptingCom/2009/04/28/robot.jpg&quot; width=&quot;85&quot; height=&quot;106&quot; border=&quot;0&quot; align=&quot;right&quot; hspace=&quot;15&quot; vspace=&quot;5&quot; alt=&quot;A picture named robot.jpg&quot;&gt;&lt;/a&gt;One more thing. You may groan when you hear Christmas music. But you hear it anyway. They own you for 1/3 of the year. And when you get to be my age, it&apos;s so bad that I find I&apos;m humming Christmas songs &lt;i&gt;all year round.&lt;/i&gt; In April I find myself singing &quot;City sidewalks, busy sidewalsk, dressed in hoilday style. In the air there&apos;s a feeling of Christmas.&quot; And if you read that sentence, you&apos;re &lt;a href=&quot;http://www.youtube.com/watch?v=djfgoGAEU4E&quot;&gt;singing&lt;/a&gt; it too.&lt;br&gt;&lt;br&gt;Kurt Vonnegut described a novel-within-a-novel, &lt;a href=&quot;http://www.geocities.com/Hollywood/4953/kt_boc2.html#it_can_be&quot;&gt;Now It Can Be Told&lt;/a&gt; by Kilgore Trout, in which the main character is the only real human and everyone else is a &lt;a href=&quot;http://blogs.citypages.com/blotter/2009/04/bachmann_intere.php&quot;&gt;robot&lt;/a&gt; sent to test him. It&apos;s a possibility I have considered.&lt;br&gt;&lt;br&gt;</description>
			<pubDate>Wed, 29 Apr 2009 00:38:26 GMT</pubDate>
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