Here are the choices that exist today for people using Frontier or the OPML Editor, as I see it.

1. Don't update your Mac to Mavericks. That's what I'm doing. I depend on the OPML Editor for my daily work. I'm concerned that one of Apple's automatic updates will update me to Mavericks since it's a free release. So I'm avoiding those as well.

2. Run the Windows version of the OPML Editor in VMWare or Parallels.

3. Run the Windows version of the OPML Editor on Linux using Wine.

4. The Windows version seems to be in decent shape for the foreseeable future.

About doing the work to get the codebase to run under Mavericks, one of the original guys tried to do this, but gave up. Too much had changed. The GDI on the Mac has changed, as has the networking model. We had been using deprecated APIs for a long time. They finally pulled the plug on them.

However -- if you want to pursue that approach, it's best to use the tools available like Kickstarter or Indiegogo and let's pool the money and then try to attract the developers.

I would say a bounty of $25K would probably get some interest. More would probably be even better.

But we'd have to be careful to employ someone who has the programming ability to deliver. There are a lot of people floating around who say they're gutsy programmers, who would probably not be able to do this port.

Frontier is a pretty complex piece of software internally. But it is organized in layers, so the work probably is fairly compartmentalized.

I didn't want to say that the guy from the original team that worked on Frontier code recently, trying to get it ready for Mavericks was Brent Simmons, but he said it on his blog, so I can.

And he wrote a great post detailing the issues. Anyone considering this project should read this post.

I think we should be able to find a machine someone could use for the "short path."

Re the database being converted to 64-bit, I think that would be pretty easy actually. The places that depend on the address size being 32-bit are pretty well factored. And it would a huge deal to be liberated from the 2GB limit on the database size.

The first day of the NJFF we had a child with us, and we all had seen the first Cloudy movie and loved it, so we thought what the heck, let's go see the sequel. It was disappointing, but it taught me a lot about how movies work.

It was basically a continuation of the plot from the first movie. It had the same silly premise, a machine that turns weather into food, but where the first movie was mostly hilarious, this movie seemed pandering and formulaic. Same subject, different effect.

My theory is that the first movie presented new funny ideas almost every minute of the movie. There was no time for it to get tiring. But the second movie was just puns, some good ones, that deserved a chortle or two, or a groan, but not much more than that.

The kid loved it though. I assume this is because of the gorgeous graphics and colors, and dancing fruits and vegetables, tacos and hamburgers. If I were 8 years old I probably would have liked it too!

The first one had enough to entertain all of us. This one was just for the kids.

I loved the books, the movie really sucked!

So much so that I forgot to include it in the initial version of this post.

But it's a very difficult story to tell in such a short time.

If you're an Ender's fan, I don't know whether to tell you to see it or not.

I felt I had to. I don't regret it. But I wish it had been 1/100th as compelling as the book.

I would recommend this movie to any friend who likes serious violence and people who get what they deserve. But you have to enjoy pure evil because it's a study of that.

Best line: "They don't really believe in coincidences. They've heard of them, they've just never seen one."

The movie plays like a Cormac McCarthy book with lots of dialog, because that's basically what it is.

I know this movie is getting great reviews, but for me -- it starts off with a promising premise -- a free black man, kidnapped from his home in upstate NY, and sold into slavery -- but never does anything with its potential. As the title tells you, eventually he gets out of it. But the story isn't about that, it's about slavery from the point of view of a free man who has to endure it.

But nothing really happens in the movie. I don't want to spoil anything, just to say that a lot of things almost happen. There's lots of fine acting. Unspeakable violence. Deranged white people. Hopeless black people. Lots of small plots develop and look like they might turn into a decent story, but never do.

And Brad Pitt plays an unbelievable principled Good Guy. A pivotal character in the plot. I like him better as a flawed Good Guy, as the character in The Counselor or the underappreciated Killing Them Softly from last year.

Like The Butler, it tells an incomplete and non-engaging story about the experience of slavery in the US.

This year's NJFF was looking pretty bleak until the last day when it turned fantastic!

Dallas Buyers Club is a wonderful movie, a great story with compelling actors, and it twists you up in such interesting ways that when you come out of it, it's hard to come to any conclusions. You really come to love the two main characters, and the primary supporting character, a woman doctor. The evil arch-villain from the FDA, is unspeakably evil, easy to despise. It's a simple movie, but for such a complex subject, that's good.

I'll be thinking about this movie for a long time to come.

The plot is outlined in the first minute. From there, it's all acting with, amazingly, no dialog. A masterpiece of acting and direction, filming, music, special effects. It all melds into a single experience. You feel what it's like to be lost. Not a good feeling. But any movie that takes you out of your reality is imho, worth experiencing. The only bad movie is one where you're not in it. This story grabs you from the beginning, involves your mind and heart, and takes you somewhere. What's not to like about that!